S.O.B.

Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.

Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.

May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.

May 14, 2025 — The festival presents new restorations of films by Chantal Akerman, Charles Burnett, John Ford, and James Ivory.

Apr 29, 2025 — In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.

Mar 31, 2025 — The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

Feb 10, 2025 — Igor Bezinović’s third feature recreates a ludicrous but foreboding chapter in the history of his hometown, Rijeka.

Jan 17, 2025 — Featured this week are Frank Capra, Michael Roemer, John Ford, Djibril Diop Mambéty, and Rainer Werner Fassbinder.

Jan 14, 2025 — There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.

Dec 17, 2024 — A remarkable breakthrough in Hong Kong action cinema, this rip-roaring spectacle represents the peak of Hung’s commitment to ensemble-oriented filmmaking.