Rosaline

May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...

May 10, 2019 — This week has seen surveys of the careers of Abbas Kiarostami and screenwriter Jean-Claude Carrière and deep dives into milestone works by George Cukor and Andrei Tarkovsky.

May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.

Feb 13, 2019 — The utterly delightful new film is the ninety-year-old artist’s guide to her films, photography, and visual art.

Sep 19, 2018 — The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.

Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.

Oct 20, 2017 — Back in August, a woman identified only as Robin became the third woman to accuse Roman Polanski of sexual assault, after Samantha Geimer and Charlotte Lewis. On October 3, two days before the New York Times blew the Harvey Weinstein...

Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Aug 17, 2017 — The New York Film Festival has announced the lineup for its Projections section, running from October 6 through 9: Eight features and eight shorts programs, fifty-one films in all. The Film Society of Lincoln Center notes that eighteen works will...