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Rich and Poor

Jan 16, 2013 Both sparkling and suspenseful, Alfred Hitchcock’s benchmark thriller is the perfect getaway, and it set the scene for much of the master’s later work.

Jun 10, 2011 Bringing Junichiro Tanizaki’s sprawling, elegiac histor­ical novel The Makioka Sisters (1948) to the screen would seem an undertaking tailor-made for Kon Ichikawa. The renowned writer’s work was familiar territory for the veteran director, who had adapted the quirky Tanizaki novella...

Feb 12, 2007 Bicycle Thieves is truly one of my favorite films. I could watch it over and over again, and in truth, I have.

July Books

The Daily

Jul 17, 2024 Summer reading options range from fiction to philosophy, from the fog of war to finicky fame.

May 21, 2024 The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

Sep 28, 2022 A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Feb 11, 2021 The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...

Nov 2, 2020 Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...

Aug 18, 2020 Chris Hegedus and D. A. Pennebaker’s restless, captivating Direct Cinema triumph Town Bloody Hall is a work of oceanography, documenting one splashy moment in the cresting and crashing of American feminism’s second wave. The film chronicles the “Dialogue on Women’s...

Feb 25, 2020 In these times of Trumpidation, thirty years after its auspicious release, Paris Is Burning seems even more relevant than it did in early 1991, when I wrote the following for Black Film Review about Jennie Livingston’s phenomenal documentary on New...

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