The Criterion Collection
Essays
Mar 4, 2002 — Wong Kar-wai’s biggest commercial success to date elevated him to the mainstream of international art house cinema, and it echoes the end of an era with pure melancholic power.
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
Essays
Jul 8, 1992 — Since its first screening in 1960, Jean-Luc Godard’s astonishing debut has lost none of its power to thrill an audience or change the way we see the world.
The actor, writer, and director shares what makes Michael Haneke and Robert Bresson such exceptional filmmakers, praises the cinematography of Alfonso Cuarón’s Roma, and talks about the power of representation in Do the Right Thing and El Norte.
The writer, actor, and comedian talks about Harlan County USA and how it captures the power of collective action, praises the incomparable beauty of The Umbrellas of Cherbourg, and shares how he was inspired by the complex portrayal of a...
The writer and director of Girlfight selects films with complex themes of power and ambition; praises women whose work she felt gave her permission to become a filmmaker, such as Martha Coolidge and Joan Micklin Silver; and shares her love...
The actor and star of Christophe Honoré’s Marcello Mio talks about the power of political films disguised as comedies, such as To Be or Not to Be and Divorce Italian Style; shares her love for Japanese horror cinema; and reminisces...
The writer and director of Vermiglio expresses her love for the poetry of Ermanno Olmi, praises how Michael Haneke’s films cut right to your heart and mind, and celebrates the emotional power of The Piano.
The comedian, actor, and writer recalls wearing out videotapes of Mothra vs. Godzilla; praises Sound of Metal and its star, Riz Ahmed; and talks about the power and importance of seeing love between two Asian men depicted on-screen in Happy...
The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...