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Out Of Line

Jul 15, 2020 When I first saw The Lady Eve (1941), in my teens, I was certain I had never seen a comedy more perfectly constructed, a judgment that the subsequent decades have not revised. I had also seen none more acutely witty,...

Feb 12, 2021 The virtual first half of this year’s festival will premiere new work from Céline Sciamma, Hong Sangsoo, Dominik Graf, and Ryusuke Hamaguchi.

Aug 1, 2024 Philadelphia’s showcase of work by Black, Brown, and Indigenous artists opens today and runs through the weekend.

Oct 18, 2023 You don’t have to believe every word in Herzog’s memoir to get a kick out of it.

Remarkable Women

The Daily

Apr 15, 2022 This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.

Fidelio

The Daily

Dec 19, 2025 This week: Kubrick conspiracies, Malickian movies, Spike Lee’s musical moments, and a talk with Rebecca Hall.

Jul 25, 2023 Venice packs more than a few surprises, and Toronto’s announced sixty Gala and Special Presentations.

Sep 17, 2017 Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.

Apr 16, 2013 With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

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