The Criterion Collection
Aug 20, 2001 — I have known Torben Skjødt since 1983. His debut video Englefjæs—which I thought to be very accomplished—was presented during a film week in Silkeborg. A debut work, yes, but made with a self-assured maturity by a self-taught creator of images....
Essays
Jun 26, 2000 — Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
Feb 1, 2011 — This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique. A new life experience is in the air today, a perception that explodes the form of the linear narrative and renders...
The Daily
Sep 30, 2024 — Showered with accolades, loved, admired, and feared, Smith was one of the most accomplished stars of the stage and screen.
Apr 2, 2021 — One Scene Thomas Vinterberg no longer holds fast to the ascetic tenets of Dogme 95, the film movement he cofounded in 1995 with fellow Danish director Lars von Trier, but what has remained constant throughout his career is his sharp...
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
Jul 12, 2018 — The French director’s English-language debut and first science fiction film is one of the first seven films selected to compete in San Sebastián.
Sneak Peeks
Jul 28, 2017 — One of the wittiest chroniclers of modern American life, Albert Brooks talks with filmmaker Robert Weide about how he arrived at the concept for Lost in America. Also: a few words from James L. Brooks.