The Criterion Collection
The Daily
May 14, 2021 — Look who’s back: Alain Delon and Romy Schneider, Charlie Chaplin, Dee Rees, and . . . Cop Rock?
The Daily
Nov 19, 2018 — Taipei hosts an evening of surprises and controversy.
The Daily
Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...
Jan 21, 2018 — “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...
In Theaters
Dec 28, 2017 — Charlie Chaplin’s Modern Times sets up shop on the big screen at Iowa City’s FilmScene this week.
The Daily
Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Essays
Nov 16, 2010 — To make a silent film in 1931, four years after The Jazz Singer, was to buck the trend in a film industry rapidly divesting itself of silence. To make another in 1936, nearly a decade after the advent of sound,...
Essays
Jan 11, 1994 — A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.
May 7, 2021 — The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...