The Criterion Collection
Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.
The Daily
May 18, 2019 — Diop’s debut fiction feature is a love story, a detective story, and a ghost story.
The Daily
May 1, 2019 — With three, possibly four new films opening this year, Ferrara returns to New York to attend MoMA’s retrospective.
Mar 11, 2019 — It doesn’t take more than a few minutes of watching a Khalik Allah film to intuit that he’s a photographer. Over the course of just two documentary features, the thirty-four-year-old, New York–bred artist has developed an instantly recognizable style at...
The Daily
Feb 21, 2019 — The Film Society of Lincoln Center’s series Neighboring Scenes spotlights promising new talents.
Essays
Dec 18, 2018 — Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...
The Daily
Dec 5, 2018 — The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.
The Daily
Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.