The Criterion Collection
Features
Oct 16, 2020 — First Person One of the internet’s more delightful creations is a compilation of Aaron Sorkin quotes assembled by a man named Kevin Porter in 2012. Its purpose is to expose the screenwriter’s propensity for repetition. Some of the examples, plucked...
The Daily
Feb 18, 2018 — Christian Petzold seems to realize that viewers are going to feel as if they’ll need a few moments to get their bearings in the world of Transit. In one swift and brilliant stroke, he denies us the luxury. Georg (Franz...
On the Channel
Nov 28, 2022 — We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.
May 20, 2017 — “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...
Essays
Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.
May 31, 2017 — Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.
Oct 4, 2019 — When I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People....
Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Jul 22, 2025 — In his achingly beautiful debut feature, Kenneth Lonergan captures the dynamics of a sibling relationship shaped by grief, revealing its complexities with narrative economy and deep emotion.