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No Tears for the Dead

Jan 29, 2020 The festival will premiere new work from Christian Petzold, Hong Sang-soo, Philippe Garrel, Sally Potter, Mohammad Rasoulof, and Tsai Ming-liang.

Jan 3, 2020 The director of Margaret and Manchester by the Sea celebrates Hollywood’s greatest humanist, whose films are featured in a series now playing on the Criterion Channel.

Aug 27, 2019 In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...

Summer Reading II

The Daily

Jul 4, 2018 New issues of Cinema Scope, Film Comment, and Senses of Cinema take stock of the year in cinema—so far.

Oct 31, 2016 In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.

Aug 14, 2016 While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.

Bitter Harvest

Features

Jun 4, 2015 Rainer Werner Fassbinder stocked the cast of The Merchant of Four Seasons with friends and colleagues from his experimental theater days.

Jul 22, 2009 Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...

Aug 19, 2025 Vittorio De Sica’s neorealist masterpiece captures the indifference and hostility of the adult world through the eyes of two young boys who share a bond stronger than that of family.

Jun 24, 2025 The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.

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