The Criterion Collection
Sep 8, 2009 — “It’s not my fault that I’m Japanese . . . yet it’s my worst crime that I am!” The words are those of Kaji, hero of The Human Condition (1959–61), but in his anguish and existential despair, he also speaks...
Essays
Jan 11, 1999 — David Lean followed his prodigious adaptation of Charles Dickens’ Great Expectations with this brilliant crystallization of Dickens’ Oliver Twist; or, the Parish Boy’s Progress. It deploys the cinema’s special powers of dash and immediacy to convey all the venturesomeness and...
Aug 13, 2007 — Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.
Jun 18, 2025 — Throughout a small but indelible body of work that includes the 1984 neorealist masterpiece Bless Their Little Hearts, the veteran filmmaker has explored how everyday life is lived within structures of power.
The Daily
Jan 4, 2024 — Critics and filmmakers remember a subtle giant of the stage and screen.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
The Daily
Dec 14, 2017 — Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...