The Criterion Collection
Jun 15, 2021 — These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.
Apr 19, 2021 — What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....
Interviews
Apr 2, 2019 — Mike Leigh’s endless fascination with human behavior is palpable in every one of the films he’s made over the course of his nearly fifty-year career. With an acute sensitivity to rhythm, character, and setting, he extracts extraordinary moments from the...
Oct 30, 2018 — Ridiculous on the outside but full of truth on the inside, Rob Reiner’s fairy-tale classic is a childhood touchstone for generations of movie lovers.
The Daily
Jul 24, 2018 — Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.
Jul 12, 2018 — The French director’s English-language debut and first science fiction film is one of the first seven films selected to compete in San Sebastián.
Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.
Sep 3, 2017 — “With writer-director James Toback, you never know quite what you’re going to get, quality-wise,” writes Glenn Kenny at RogerEbert.com. “What you do know you’re going to get is something very indicative of the personality of James Toback—defiant, searching, self-indulgent, absurdist,...
Aug 16, 2016 — Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.
Short Takes
Jul 7, 2016 — Half a century after Jacqueline Susann’s sensational novel Valley of the Dolls became a best seller, this cult-classic portrait of glamour and excess is enjoying a fabulous comeback.