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Aug 24, 2009 Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...

Apr 2, 2009 Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Jun 22, 2026 A quiet highlight of last fall’s festival season, Milagros Mumenthaler’s third feature tours theaters through July.

Feb 23, 2026 Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.

Apr 28, 2023 One of Britain’s most celebrated playwrights talks about bringing her uncompromising exploration of racism and resistance to the screen.

Mar 14, 2023 A pivotal early film from legendary Hong Kong director John Woo, this martial-arts classic explores the heroic ethos of youxia, Chinese warriors willing to sacrifice their lives to fight for justice and fulfill their promises.

Aug 9, 2022 An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.

Jul 15, 2022 In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.

Mar 25, 2022 This week’s reads include a survey of this year’s contenders, a look back to the last big sweep, and interviews with Wayne Wang and Valentyn Vasyanovych.

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