The Criterion Collection
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Essays
Aug 31, 2011 — City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto lecture “Towards a Social Cinema,” delivered to the Groupement des Spectateurs d’Avant-Garde at Paris’s Le Vieux-Colombier before what was only the second public screening of À propos...
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Essays
Aug 19, 2002 — René Clair’s musical comedy comprises a window on a particular lost black and white neverworld—bouncy with melody, soaked in spring light, wistful about the conflicted relationship between serendipity and love.
Jun 27, 2005 — Kô Nakahira’s taboo-busting melodrama heralded a reinvention of Japanese cinema.