Jun 11, 2013 Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

Jan 8, 2013 01   Because it’s the purest American road movie ever.  02   Because it’s like a drive-in movie directed by a French new wave director.  03   Because the only thing that can get between a boy and his car obsession is a...

May 15, 2012 Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.

Mar 27, 2012 The mysterious letter was signed “Joe.” David Lean’s lawyer had sent me a batch of old correspondence. Struggling with a biography of Lean, I was desperate for any leads, and this one seemed worth following up. But how does one...

Oct 4, 2011 Director Catherine Breillat writes about the primal pleasures of watching Pier Paolo Pasolini’s notorious film.

Jun 7, 2011 Performances Despite bearing his last name and a close resemblance to him—the high cheekbones, the slightly drooping lips and prominent front teeth, the piercing yet empathetic eyes—remarkably, Geraldine Chaplin has never seemed obscured by the shadow of her iconic father,...

Jun 6, 2011 One Scene I lived in Zurich before joining Stanley Kubrick on his Napoleon project in 1969. Unfortunately, this film was never made, but I stayed with Stanley for another thirty years. It was in Zurich, in an art-house cinema, that...

Bergman and I

Features

Jun 8, 2009 As I write this, it has been a year and a half since Ingmar Bergman passed away—and I miss him daily. I miss his imagination and the comfort he gave, both personally and through his films. I got to know...

Aug 13, 2007 Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...

Jan 22, 2007 A delightfully old-fashioned morality tale, Robert Day’s low-budget space flick is far more than the standard monster fare it was initially sold as.

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