Hotel Room

Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...

Jan 25, 2019 — Retrospectives in New York and Glasgow offer opportunities to catch up with or revisit the work of an outstanding director of comedies.

Jan 25, 2019 — Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...

Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...

Dec 9, 2018 — Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...

Aug 13, 2018 — Looking back on the highlights of the seventy-first edition.

Apr 2, 2018 — Stanley Kubrick’s 2001: A Space Odyssey saw its world premiere on this day, April 2, in 1968 at the Uptown Theater in Washington, D.C. Two days later, it opened in two more theaters, one in Hollywood and one in New...

Jan 24, 2018 — The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...

Jan 5, 2018 — For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...

Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.