The Criterion Collection
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
Features
Mar 13, 2025 — While a film’s stars are forced to bear the responsibility of moving a narrative forward, supporting actors get to have fun providing comic relief or suggesting whole lives being lived beyond the screen.
The Daily
Feb 25, 2025 — In the run-up to the Oscars, Sean Baker calls on independent filmmakers to band together as a community.
The Daily
Feb 21, 2025 — This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.
The Daily
Jan 24, 2025 — We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.
The Daily
Jan 22, 2025 — New films by Richard Linklater, Bong Joon Ho, Radu Jude, and Lucile Hadžihalilović are set for the seventy-fifth edition.
The Daily
Dec 17, 2024 — Sundance, Rotterdam, and Berlin roll out more lineups for what promises to be a season of uncertainty.
The Daily
Nov 5, 2024 — As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.
Sep 26, 2024 — The directors discuss their award-winning documentary Bad Press and their effort to invert the exploitative dynamics that have long existed between documentary filmmakers and Indigenous communities.
The Daily
Sep 24, 2024 — Films by Agnès Varda, Chantal Akerman, and Rungano Nyoni screen in the Metrograph series.