The Criterion Collection
Essays
Apr 2, 2009 — Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Dec 4, 2006 — William Greaves’s masterpiece uses a single situation as the basis for a theme-and-variation structure that interrogates every aspect of the filmmaking process as well as the categories of fiction and documentary.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez
Mar 18, 2025 — This stellar entry in one of cinema’s greatest monster franchises combines science fiction’s age-old exploration of human arrogance with the full force of cinematic imagination.
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...
Sep 28, 2018 — This week’s round also includes David Bordwell on Alain Resnais and Sergei Loznitsa’s tribute to Kira Muratova.
On the Channel
May 20, 2018 — A lifelong movie collector remembers the thrill of discovering the granddaddy of all monsters on Super 8.
The Daily
Apr 2, 2018 — Stanley Kubrick’s 2001: A Space Odyssey saw its world premiere on this day, April 2, in 1968 at the Uptown Theater in Washington, D.C. Two days later, it opened in two more theaters, one in Hollywood and one in New...
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.