The Criterion Collection
The Daily
Feb 23, 2022 — Twenty-nine nonfiction and hybrid films will screen through March 10.
The Daily
Feb 15, 2022 — Films from Italy, Iceland, and the Central African Republic each map the dynamic between four friends.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
The Daily
Mar 29, 2021 — Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”
Mar 10, 2021 — For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...
Essays
Feb 24, 2021 — Hollywood is the unofficial ministry of propaganda for the United States. Newcomers to this country typically begin their process of Americanization well before they arrive, having been exposed, for quite some time, to the long-distance bombardment of American blockbusters. In...
Features
Sep 1, 2020 — It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...
Jul 6, 2020 — Songbook In the blue moonlight of a humid December night, an escape is underway. A man in army fatigues runs from an open-air cell with a rolled-up rug in one hand and a sword in the other, stolen from someone...
The Daily
Feb 12, 2019 — The competition is struggling as China yanks one film and theater owners threaten another.
Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.