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Faithful

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Feb 15, 2022 Playful irreverence gives way to tragedy and transcendence in Leo McCarey’s 1939 masterwork, one of the defining romances of the Hollywood studio era.

Jan 18, 2022 MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Nov 2, 2021 As Denis Villeneuve prepares Dune: Part Two, writers delve into the religious and political ideas that inform the new franchise.

Aug 27, 2021 This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.

Jun 30, 2021 First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...

Feb 26, 2021 First Person When I was eight years old, I discovered what it meant to be of two minds. I didn’t discover this in any intellectual way; this was brought to bear on me in 1973 because that’s the year my...

In the Works

The Daily

Feb 23, 2021 Here’s the latest on projects coming from Todd Haynes, Chloé Zhao, David Cronenberg, Yorgos Lanthimos, and Claire Denis.

Feb 22, 2021 Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...

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