The Criterion Collection
Mar 25, 2014 — Silent comedy superstar Harold Lloyd played big dreamers; few were more determined to succeed than the college football player Harold Lamb.
Jan 20, 2014 — Aki Kaurismäki pays wry tribute to the starving artist in his sad and funny update of Henri Murger’s classic book.
Essays
Nov 12, 2013 — Noah Baumbach and Greta Gerwig create a luminous, romantic portrait of a young woman looking for fulfillment in New York City.
Aug 23, 2011 — Intimidation: The Weird Dream MakerImpassioned and dedicated craftsman of some of Japanese cinema’s biggest box-office successes and most eccentric off-genre sorties, longtime Nikkatsu studios mainstay Koreyoshi Kurahara (1927–2002) was a filmmaker with two opposite yet inseparable signature points of view....
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...
Jun 27, 2011 — Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...
Essays
May 10, 2011 — Something Wild asks the eternal question “What makes us happy?” But the answer it proposes is far from easily arrived at. It’s a boy meets girl story, certainly, but one that goes much deeper with that narrative than most films...
Nov 16, 2008 — Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...
Essays
May 21, 2007 — Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.