The Criterion Collection
Essays
Nov 25, 2020 — “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...
Features
Nov 20, 2020 — Standing before his friend Basil Hallward’s portrait of him, the paint barely dry, Dorian Gray implores to some unseen force: “If it were I who was to be always young, and the picture that was to grow old . ....
Nov 19, 2020 — For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...
Features
Oct 16, 2020 — First Person One of the internet’s more delightful creations is a compilation of Aaron Sorkin quotes assembled by a man named Kevin Porter in 2012. Its purpose is to expose the screenwriter’s propensity for repetition. Some of the examples, plucked...
Aug 25, 2020 — Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...
On the Channel
Jul 30, 2020 — Channel Calendars Stuck at home this summer? Don’t let that get you down—our Bad Vacations series makes the case for staying in and watching movies, cataloguing an array of holiday horrors ranging from existential ennui to full-throttle terror. That’s just...
Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Jul 31, 2019 — Check out what’s in store next month on our streaming service!
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.