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Cut Bank

May 20, 2018 A lifelong movie collector remembers the thrill of discovering the granddaddy of all monsters on Super 8.

Apr 2, 2018 Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Feb 6, 2018 “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...

Jan 16, 2018 The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.

Jan 11, 2018 The turn of each year always sees a flurry of listing, remembering, and anticipating that seems to knock just plain reading off the agenda for the time being. Now, a little over a week into the new year, we can...

Weinstein and Co.

The Daily

Oct 12, 2017 Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...

Aug 18, 2017 In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.

Jul 23, 2017 “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...

Jul 5, 2017 “Today,” begins Flavorwire’s Jason Bailey, “New York’s Film Forum begins a fabulous new retrospective series, Ford to City: Drop Dead—New York in the 70s, which draws its title from the notorious New York Daily News headline paraphrasing of President Gerald...

Mar 14, 2017 Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.

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