The Criterion Collection
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
The Daily
Apr 24, 2026 — Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.
Features
Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...
The Daily
Apr 2, 2026 — The country’s 250th anniversary is only one of several good reasons to watch or revisit the films.
The Daily
Apr 1, 2026 — BAMPFA presents a retrospective in conjunction with the filmmaker’s residency at UC Berkeley.
Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.
The Daily
Mar 20, 2026 — This week: Thierry Frémaux on the Lumière brothers, Lynne Littman and Jane Alexander on Testament, and Christian Petzold on Hitchcock.
The Daily
Mar 6, 2026 — Jonathan Rosenbaum returns to the Reader, there’s a new Cineaste, plus: Hiroshi Shimizu, John Akomfrah, and Robert Vas.
The Daily
Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.
The Daily
Feb 20, 2026 — Steven Soderbergh talks and two retrospectives showcase work by Raymond Depardon and John Schlesinger.