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Building a Building

Nov 3, 2009 If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.

Farewell, Bergman

Production Notes

Jul 30, 2007 Five years ago I produced my first DVD of a film by Ingmar Bergman. The film was Wild Strawberries, and I remember the thrill of working on a film that I knew was beloved by so many. Since then I...

Sep 13, 2004 This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no struc­ture, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...

Sep 29, 2003 “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...

Nov 15, 1994 Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.

Apr 10, 1989 In the Hollywood heyday of the ‘30s and ‘40s, America was synonymous with rip-snorting action-adventure movies. Audiences throughout the world thrilled to such classics as Gunga Din, The Sea Hawk, and Union Pacific. In the 1950s the Japanese made their...

May 27, 2026 Is it possible to look without trying to grasp the object of one’s gaze? Traditional ethnographic documentaries, much like the written ethnographies that preceded them, have attempted to explain a given culture to those who don’t belong to it, assuming...

Jan 21, 2026 New films by Angela Schanelec, Lance Hammer, and Mahamat-Saleh Haroun will premiere in the competition.

Aug 25, 2025 In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.

Apr 15, 2025 This year’s edition features Laura Wandel’s follow-up to Playground and the first feature from Sean Baker collaborator Shih-Ching Tsou.

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