Back To Search

A Face in the Crowd () also producer

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

Sales and Pitches

The Daily

Apr 2, 2021 More mysteries from Rian Johnson plus notes on forthcoming films from Steven Spielberg, Ryusuke Hamaguchi, Alma Har’el, and more.

Oct 20, 2020 At the start of The Gunfighter, Jimmy Ringo is a man with eleven kills to his name, soon to be twelve. But the only place he actually appears to be very violent, or even very vital, is in other people’s...

Nov 12, 2019 The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...

Dec 17, 2014 Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.

Loving Lola

Essays

Feb 9, 2010 You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...

Nov 12, 2024 Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.

Mar 31, 2020 Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...

Dec 2, 2013 With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.

Current Page
5
of 6

You have no items in your shopping cart