The Criterion Collection
Sep 18, 2006 — Released in 1973, in the dying days of General Franco’s forty-year dictatorship, The Spirit of the Beehive soon established itself as the consummate masterpiece of Spanish cinema. Yet, strangely, many of the gifted artists who collaborated on Víctor Erice’s first...
The Daily
Nov 20, 2023 — This month brings new books on Godard and Bergman, novelists moonlighting as film critics, and biographies of Lena Horne and Elizabeth Taylor.
Features
Jul 17, 2019 — In Spain, as Pedro Almodóvar was getting ready to leave home, no young man argued with his father about politics, no one wanted to discuss or refight the Civil War. Instead, the argument was about the length of your hair,...
Feb 25, 2019 — Songbook Pace Lou Reed, nobody’s life is saved by rock and roll in Cold Water. This in spite of its young characters’ relentless pursuit of it, in both musical and metaphysical forms. Made in 1994, set in 1972, Olivier Assayas’s...
Dec 11, 2012 — The climate change expert discusses how Godfrey Reggio’s films presaged widespread concern about global warming and warned about the dangers of consumerism.
On the Channel
Aug 21, 2023 — Channel Calendars This September, the Channel welcomes you back to school . . . where something sinister is afoot. Our High School Horror collection brings together cult classics and teen-slasher favorites for a bloodcurdling look at the scary side of...
On the Channel
Jan 27, 2022 — We’re celebrating Black History Month with tributes to trailblazing artists like Harry Belafonte, Melvin Van Peebles, and documentary master Stanley Nelson.
The Daily
Sep 7, 2017 — “A central tenet of feminist film theory holds that the havoc wreaked on the bodies of women propels narrative storytelling,” writes Holly Willis in the new issue of Film Comment. “The new film by Jean-Pierre and Luc Dardenne, The Unknown...
Dec 12, 2013 — A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.
Feb 25, 2025 — Like many of the characters found throughout the director’s oeuvre, the alternative-press staffers at the center of her sophomore feature are bound up in a perpetual tug-of-war between past and present realities.