† Eleven Thirty P.M

Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”

May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

Apr 20, 2022 — Running parallel to Cannes, two independent programs will present work ripe for discovery.

Apr 1, 2022 — This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.

Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Dec 15, 2021 — The Film Independent Spirit Awards usher in a fresh round of contenders, while critics across the country vote for their favorites.

Dec 10, 2021 — Sundance and Slamdance present their lineups and the Daniels will open SXSW.

Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.

Nov 12, 2021 — First Person At the end of February of 2020, I watched The Gleaners and I with my boyfriend at BAM. It was, I thought, an ordinary day. We bought tickets in advance because we knew the small theater’s screenings always...

Nov 9, 2021 — Julia Ducournau’s Titane, Jasmila Žbanić’s Quo Vadis, Aida?, and Florian Zeller’s The Father lead with four each.