In Gefahr und größter Not bringt der Mittelweg den Tod

May 13, 2022 — The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.

Dec 26, 2021 — As the holiday season begins to wind down, we’re proud to close out another year in our online magazine by looking back at a few of our favorite essays and interviews.

Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.

Oct 28, 2020 — Artistic director Thierry Frémaux hosts a special three-day event in the Grand Théâtre Lumière and cautiously looks ahead to next year’s edition.

Nov 8, 2019 — Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.

Oct 28, 2019 — This year’s Tokyo International Film Festival salutes two singular directors, both in their eighties now but still going strong.

May 24, 2019 — In her quest for romantic connection, the protagonist of Claire Denis’s searching, slyly funny Let the Sunshine In—Parisian painter Isabelle (Juliette Binoche)—finds herself falling in with a series of hopelessly self-involved men: an oleaginous (and married) banker, an elegant (but...

May 1, 2019 — A featured director on the Criterion Channel, Reichardt talks with critic April Wolfe about how the personal emerges from the political in her collaborations with writing partner Jon Raymond.

Apr 11, 2019 — Repertory Picks Next Tuesday, the Avon in Stamford, Connecticut, will be whisking moviegoers off to the casinos of Nice, as Jacques Demy’s 1963 Bay of Angels screens in the theater’s French Cinémathèque series. After the film, Joe Meyers—the director of...

Apr 4, 2019 — Repertory Picks Next Tuesday evening, courtesy of Janus Films, New Yorkers will have a chance to see one of Yasujiro Ozu’s early-career silent films, Dragnet Girl, when it screens at the Film Society of Lincoln Center, accompanied live by the...