Blind Chance by Gérard DuBois

Criterion Designs

Sep 29, 2015 The combination of deep-rooted anger and intellectual trickiness in Krzysztof Kieślowski’s film called for an artist with an unusual combination of skills.

Sep 28, 2015 Many of the most romantic moments in movies are the results of decidedly unromantic real-life on-set moments. As Helena Bonham Carter reveals in this candid new interview clip, that was certainly the case with A Room with a View and...

Sep 28, 2015 Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Sep 24, 2015 Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.

Sep 23, 2015 Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Sep 22, 2015 Two precocious youngsters try to carve out a corner of the world just for themselves in Wes Anderson’s alternately melancholy and boisterous tale of growing pains.

Sep 21, 2015 This week, veteran director Bruce Beresford joins the collection with Breaker Morant and Mister Johnson, two early twentieth-century period pieces about colonialism and its destructive legacies. Beresford (seen above on the set of Mister Johnson) has been making movies for...

Sep 21, 2015 Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.

Sep 21, 2015 During his off hours from running the country, President Jimmy Carter was quite the film fanatic, according to an amusing piece by Matt Novak on the Gizmodo site Paleofuture. Novak, after “painstakingly going through the president’s daily journal,” reveals that...

Sep 14, 2015 Our CEO commemorates Criterion’s cofounder, who was also a friend, partner, and father figure.

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