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May 2, 2017 — It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...

Apr 27, 2017 — Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.

Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.

Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.

Mar 17, 2017 — A cornerstone of Taiwanese cinema, Edward Yang’s 1985 sophomore feature, Taipei Story, makes its U.S. theatrical premiere today at Brooklyn’s BAMcinématek. Screening in a new 4K restoration undertaken by The Film Foundation’s World Cinema Project, this slow-burning portrait of urban...

Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.

Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

Feb 24, 2017 — Did You See This? In an excerpt from his new book This Young Monster, Charlie Fox considers the “fearsome lucidity” of Rainer Werner Fassbinder: “There were no signs of a drooling id let loose or canny subterfuge between his public...

Feb 17, 2017 — In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...

Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.