F

Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

Jul 1, 2019 — The late forties and early fifties produced Italian cinema’s single most important export: the neorealism of Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, treasured by generations of cinephiles and filmmakers all over the world. In Italy during the same...

Jun 28, 2019 — Check out what’s in store next month on our streaming service!

Jun 27, 2019 — Early reviews of the Hereditary director’s second feature may be mixed, but everyone agrees that it’s quite a trip.

Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

Jun 24, 2019 — Jacques Tati’s cinematic legacy rests on his four sublime comedies featuring Monsieur Hulot, his on-screen alter ego, a gawky, good-hearted Frenchman hopelessly befuddled by the modern world that’s sprung up around him. But no less than such masterpieces as Monsieur...

Jun 21, 2019 — The French iconoclast explains how his background in industrial filmmaking helped him bring life to abstract ideas about the human condition.

Jun 20, 2019 — When French auteur Bruno Dumont emerged on the film-festival circuit at the end of the 1990s with his debut feature, La vie de Jésus, and his Cannes-award-winning international breakthrough L’humanité, he immediately polarized audiences with his pitiless vision of human...

Jun 19, 2019 — To mark the anniversary, editors are highlighting some of her best work while critics and acolytes measure her impact.

Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.