The Criterion Collection
Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.
The Daily
Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.
Visual Analysis
Jan 23, 2019 — Under the Influence With his latest movie, They’ll Love Me When I’m Dead, Oscar-winning documentary filmmaker Morgan Neville trained his focus on one of cinema history’s most outsize personalities. The film—released just months after Neville’s Fred Rogers profile Won’t You...
Jan 22, 2019 — The Forum will also launch new films by Dan Sallitt, Heinz Emigholz, Sofia Bohdanowicz and Deragh Campbell, and Thomas Heise.
Jan 18, 2019 — Dark Passages Getting old, in Hollywood, is at least a misfortune, if not a crime. But film noir had plenty of room for actors who looked the worse for wear, whose mileage showed on their faces, whose youth was less...
In Theaters
Jan 17, 2019 — Repertory Picks Today, at 7 p.m., the Maxwell Theatre at Georgia’s Augusta University will play host to Whit Stillman’s The Last Days of Disco (1998), following afternoon screenings of the two other comedies, Metropolitan (1990) and Barcelona (1994), that make...
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
The Daily
Jan 14, 2019 — MoMA’s festival of film preservation features Lubitsch, Akerman, Murnau, Lupino, and an eclectic array of rediscoveries.
Jan 14, 2019 — Songbook “Don’t You (Forget About Me)” could have had many lives before the life it eventually had. But the song had to work hard to be recorded at all. No one particularly wanted to sing it, and it was turned...
Jan 10, 2019 — The February festival’s added eleven films to its competition and another six to the Berlinale Special program.