The Criterion Collection
Sep 1, 2017 — “British filmmaker Andrew Haigh (Weekend, 45 Years) hits the American highway for this touching, if slightly underwhelming, tale of a troubled boy who strikes up a rapport with an ailing racehorse called Lean on Pete,” begins Time Out’s Dave Calhoun....
Visual Analysis
Aug 12, 2017 — The director of the newly released Columbus takes a close look at how doors open onto philosophical mysteries in the films of French master Robert Bresson.
The Daily
Jul 31, 2017 — Broadway World has broken the sad and startling news that “playwright, actor, author, screenwriter, and director Sam Shepard has passed away. Shepard, who had been ill with ALS for some time, died peacefully on July 27 at his home in...
May 18, 2017 — “Like a Judd Apatow thriller or a Michael Haneke kids flick, the concept of a Claire Denis comedy at first sounds like a contradiction in terms,” begins Jordan Mintzer in the Hollywood Reporter. “After all, the 71-year-old French auteur, whose...
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.
Apr 5, 2016 — As voters in the great state of Wisconsin head to the polls to take part in this year’s presidential primary election, we share some scenes from Robert Drew’s 1960 film, which documented the primary race between Hubert Humphrey and John...
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Dec 1, 2009 — The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...
Essays
Apr 2, 2009 — Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...