Spring

Oct 9, 2020 — In Scoundrels & Spitballers: Writers and Hollywood in the 1930s, veteran French journalist Philippe Garnier brings to life an enchantingly raffish community of typewriter-pounders who headed west to try their luck in the verbal gold rush set off by the...

Sep 16, 2020 — Glenn Kenny’s new book on Scorsese’s Goodfellas scores raves and Coppola has been tinkering with The Godfather again.

Aug 13, 2020 — Today on the Current we launched a new series called First Person, in which we’re inviting writers from around the world to reflect on their most unforgettable moviegoing experiences. While developing the series, we were looking for good stories, beautiful...

May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...

May 22, 2020 — Walking, like breathing, is something we do without thinking, an activity so common that pedestrian has as its second meaning uninspired, ordinary, dull. But when this action appears in a movie, it is revealed as more than the original mode...

Apr 24, 2020 — Paul Schrader and Petra Costa are among the filmmakers determined to make the most of what they’ve got during lockdown.

Jan 23, 2020 — The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.

Jan 13, 2020 — Soon after completing his 1928 silent masterpiece The Passion of Joan of Arc, Danish filmmaker Carl Theodor Dreyer turned his attention to a genre he had not yet explored on-screen, undertaking to make a horror movie that was, in his...

Jan 9, 2020 — MoMA presents an eclectic selection of new restorations and discoveries from around the world.

Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...