Jul 1, 2019 The late forties and early fifties produced Italian cinema’s single most important export: the neorealism of Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, treasured by generations of cinephiles and filmmakers all over the world. In Italy during the same...

Jun 28, 2019 Check out what’s in store next month on our streaming service!

Jun 17, 2019 Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...

BAMcinemaFest 2019

The Daily

Jun 12, 2019 Some of the best new independent films of the past year are lined up for the eleventh edition.

May 29, 2019 In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...

May 27, 2019 The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

May 22, 2019 Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.

May 22, 2019 Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.

May 21, 2019 Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

May 19, 2019 Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.

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