The Criterion Collection
Jul 1, 2019 — The late forties and early fifties produced Italian cinema’s single most important export: the neorealism of Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, treasured by generations of cinephiles and filmmakers all over the world. In Italy during the same...
On the Channel
Jun 28, 2019 — Check out what’s in store next month on our streaming service!
Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...
The Daily
Jun 12, 2019 — Some of the best new independent films of the past year are lined up for the eleventh edition.
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...
The Daily
May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.
The Daily
May 22, 2019 — Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
The Daily
May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.