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In Good Company

Show Boat

Essays

Dec 18, 1989 Jerome Kern and Oscar Hammerstein II’s musical was the first to present a panoramic history of America from the Mississippi levees of the 1880s to the Broadway of the 1920s.

Jun 13, 1988 G. W. Pabst lends humanity and depth to his adaptation of a play by Bertolt Brecht—one of the last great works of German cinema's richest period.

Dec 16, 2008 More than a year ago, Peter and I were in the midst of discussions about how we wanted to launch the Criterion cinematheque. Over time, those discussions expanded to include every department at Criterion. We wanted to have a single...

May 14, 2024 Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

Oct 28, 2020 More than anything, Claudine felt like a reprieve; the film, directed by John Berry and released in 1974, gave audiences a compelling alternative depiction of Black life from those about Black drug lords and mafia dons fighting over real estate...

May 29, 2019 Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

Sep 6, 2017 When Dee Rees’s Mudbound premiered at Sundance, I gathered a first round of reviews, beginning with Justin Chang’s for the Los Angeles Times: “Adapted from Hillary Jordan’s novel, Mudbound sketches a vivid, dirt-under-the-nails panorama of 1940s Mississippi farm country, centered...

Oct 20, 2008 Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.

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