The Criterion Collection
Essays
Sep 18, 2000 — Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...
Apr 16, 2019 — Most proper New Waves of the 1960s came equipped with a rough balance of assimilable superstars and genuine radicals, and for the Czechoslovaks, the guerrilla flank was led by Jan Němec. Jiří Menzel was adored globally for his wry humor,...
Sep 23, 2011 — Performances Lillian Gish once said, “I’ve never been in style, so I can never go out of style.” The silent-screen legend was being modest, but she was clearly on to something—something that Charles Laughton grasped when he cast her as...
Essays
Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.
Aug 14, 2006 — “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....
The Daily
Mar 11, 2024 — After scoring eight nominations over more than twenty years, Christopher Nolan is finally taking home a couple of Oscars.
The Daily
Oct 26, 2023 — Appearing in well over 150 movies and television shows, Roundtree will be always remembered for his portrayal of John Shaft.