The Criterion Collection
Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.
The Daily
Sep 26, 2023 — The winner of a Special Jury Prize in Venice and a box-office hit in Poland now heads to the New York Film Festival.
The Daily
Sep 25, 2023 — This month brings collections on Straub-Huillet and Whit Stillman, an Anna May Wong biography, and a novel starring Marilyn Monroe.
The Daily
Sep 20, 2023 — Few of Wang’s films contrast as starkly as Youth (Spring) and Man in Black, and both are set to screen in New York.
The Daily
Sep 14, 2023 — Male aggression threatens women’s lives in Kitty Green’s follow-up to The Assistant and Anna Kendrick’s debut feature.
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Sep 11, 2023 — The jury in Venice presented its top awards to Yorgos Lanthimos, Ryusuke Hamaguchi, Matteo Garrone, and Agnieszka Holland.
Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.
The Daily
Sep 5, 2023 — Pablo Larraín’s Golden Lion contender and upcoming series in New York and Vienna mark the fiftieth anniversary of the Chilean coup d’état.
Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...
Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in Swedish Film—in which Widerberg...