Jan 25, 2018 “I don’t scare easily,” begins A. A. Dowd at the A.V. Club. “So it’s a special kind of awful, a rare treat of sorts, when something comes along that actually gets past my defenses, that does more than make me...

Jan 24, 2018 We begin with Rolling Stone’s David Fear: “Pick any random song by the Coup—we suggest ‘Fat Cats, Bigga Fish’ from their 1994 album Genocide & Juice, or ‘My Favorite Mutiny’ from 2006’s Pick a Bigger Weapon—and you'll get complex anti-corporate...

Jan 23, 2018 Just in case it’s not obvious, a click on the title will take you to a roundup of reviews, interviews and, when available, trailers, clips, and more. Titles will be added throughout the festival and those entries will be updated...

Jan 22, 2018 “The last time Debra Granik had a film at Sundance, it was the masterful Ozark coming-of-age thriller Winter’s Bone, which won Oscar nominations and introduced the world to a certain young actress named Jennifer Lawrence.” Bilge Ebiri in the Village...

Jan 22, 2018 Twenty-three titles have now been set for the Competition of the sixty-eighth Berlin International Film Festival, and the Berlinale’s promising twenty-four. So while we await the mystery title, here are the five that have been added today, along with another...

Jan 21, 2018 “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...

Jan 19, 2018 “Rachel (Kathryn Hahn) and Richard (Paul Giamatti), the beleaguered bohemian-geek couple at the center of Private Life, have been trying, through fertility treatments, to get pregnant for years,” begins Variety’s Owen Gleiberman. Private Life “is a comedy of fragile hopes...

Jan 19, 2018 “With issues of women’s equality, sexual misconduct, and political turmoil heavy on the movie world’s mind, Sundance Film Festival Director John Cooper said he wanted to start the 2018 edition with a movie that’s ‘fun to the point of sassy,’”...

Jan 17, 2018 “My appreciation for his inspiring and innovative cinema grows deeper as the years go by,” writes Mehrnaz Saeed-Vafa in an essay that Jonathan Rosenbaum’s posted on his site, “Reflections on Kiarostami’s Two-Way Mirrors.” A new and expanded edition of their...

Jan 12, 2018 The sixty-eighth Berlin International Film Festival is just over a month away now, running from February 15 through 25, and so far, we’ve seen first rounds of titles lined up for the Competition and the Panorama, Generation, and Shorts programs—as...

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