The Criterion Collection
Jul 6, 2020 — The latest short film to take the spotlight on the Criterion Channel, Marnie Ellen Hertzler’s Dirt Daughter emerged from the collaboration of a vibrant community of artists. Not only was it produced by the innovative collective the Eyeslicer, which supports...
On the Channel
Jun 29, 2020 — Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...
Jun 23, 2020 — Late in Tokyo Olympiad, Kon Ichikawa’s thrillingly anomalous record of the 1964 Olympic Summer Games, the film documents one of the most taxing contests, the individual modern pentathlon, in a startling montage of still photographs, accompanied by stark sound effects....
On the Channel
Feb 28, 2020 — Check out what’s in store next month on our streaming service!
Feb 28, 2020 — Flashbacks Had Jörn Donner been born anywhere other than Finland, he would have been world-famous. As it was, he dominated the Finnish cultural scene for several decades. Prolific writer, film critic, director, and producer, as well as a politician and...
Jul 2, 2019 — Father-child relationships come into focus in this week’s Short and Feature pairing on the Criterion Channel, which examines the trauma of coming of age with an emotionally unstable parent. Presented with Víctor Erice’s El Sur, Charles Williams’s All These Creatures follows...
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
The Daily
Oct 1, 2018 — Three documentaries at the NYFF explore routes to our current moment.
The Daily
Sep 12, 2018 — Viola Davis, Robert Redford, and Gael García Bernal star in a cluster of new heist movies.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.