The Criterion Collection
Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...
Essays
Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.
On the Channel
Dec 12, 2016 — Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...
Nov 28, 2016 — PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...
Nov 8, 2016 — This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.
On the Channel
Nov 3, 2016 — Our first Friday Night Double Feature on the Criterion Channel pairs two chilling serial-killer films: Fritz Lang’s M and Jonathan Demme’s The Silence of the Lambs.
Oct 28, 2016 — Did You See This? Just in time for Halloween, the travel blog Atlas Obscura has put together a map of creepy movie locations across America, including the Pennsylvania theater featured in The Blob and the Washington café that serves as...
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.