The Criterion Collection
Essays
Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
Essays
Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...
Essays
Jun 7, 1999 — From the moment of its first appearance, at the Cannes Film Festival in 1959—where it won the Palme d’Or—it was clear that Black Orpheus was a very special film. Taking the ancient Greek myth of a youth who travels to...
Sep 13, 1993 — If, as François Truffaut said, quoting Renoir back in 1958, “The film director’s task consists of getting pretty women to do pretty things,’” then never did he apply himself more faithfully than in Confidentially Yours specifically for Fanny Ardant, not...
Essays
Dec 9, 1990 — Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.