After

Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.

Feb 18, 2025 — HIghlights this month include a look back at the Dogme 95 movement, a showcase of great supporting performances, and spotlights on directors Michael Mann, Alain Guiraudie, and Lee Chang-dong.

Feb 18, 2025 — In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.

Feb 14, 2025 — On our minds this week: Chantal Akerman, Ang Lee, and Akira Kurosawa.

Feb 14, 2025 — The director of Down with Love talks about his favorite romantic comedies set in the great metropolis and looks back on the making of his own foray into the genre.

Feb 13, 2025 — Isolated sequences are dazzling, but as a whole, The Light may be difficult to buy into.

Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.

Feb 10, 2025 — Igor Bezinović’s third feature recreates a ludicrous but foreboding chapter in the history of his hometown, Rijeka.

Feb 3, 2025 — The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.

Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.