A Gift

Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...

Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...

Aug 30, 2017 — “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...

May 27, 2017 — “Some filmmakers rust during periods of inactivity,” begins Guy Lodge in Variety. “Lynne Ramsay arches and tenses, lying in wait like an attack dog. And attack she does, though not in all the expected ways, in her astonishing fourth feature...

May 10, 2017 — Whether evoking the pain of first love or investigating the challenges of the contemporary immigrant experience, Tunisian-French filmmaker Abdellatif Kechiche depicts human behavior in all its unruly complexity. In 2007, his gift for infusing rich, classically structured narratives with documentary-like...

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Jun 17, 2016 — The late 1920s and early 1930s were wonderfully productive years for Jean Renoir and Michel Simon, a simpatico director-actor duo who produced four films together: Tire au flanc (which gave Simon his first starring role), On purge bébé, La chienne,...

Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.

Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”

Jan 12, 2015 — The author remembers the late filmmaker.