The Criterion Collection
Essays
Jan 6, 2003 — With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.
Essays
Nov 22, 1999 — Grand Illusion is the masterpiece that earned Jean Renoir enormous acclaim in the United States, exciting the admiration of President Franklin D. Roosevelt and running for 26 weeks in New York after its opening in September 1938. Banned in Italy...
Nov 19, 1989 — Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...
Dec 29, 2008 — If I had not seen The Lady Vanishes at the age of seven, I might never have become a film critic. I was the fifth child of parents well into middle age: clearly an “accident,” as I was ten-years-plus younger...
Aug 20, 2001 — I have known Torben Skjødt since 1983. His debut video Englefjæs—which I thought to be very accomplished—was presented during a film week in Silkeborg. A debut work, yes, but made with a self-assured maturity by a self-taught creator of images....
Jun 19, 2019 — Jeremy Workman is a documentary filmmaker and award-winning editor of movie trailers, specifically for art-house, documentary, and foreign films. His latest documentary, The World Before Your Feet, was released to critical acclaim last November and played in movie theaters into...
May 1, 2019 — The acclaimed out-rock trio Beak> was formed in January 2009 by Bristol musicians Billy Fuller (Robert Plant, Fuzz Against Junk), Matt Williams, and Geoff Barrow (Portishead). The band has very strict guidelines governing their work: the music is recorded live...
The screenwriter and director talks about the timelessness of Brief Encounter, praises the performances of Richard Burton in The Spy Who Came in from the Cold and Marlon Brando in One-Eyed Jacks, and reminisces about discovering French cinema at an...
The actor and producer praises Anthony Hopkins’s performance in The Silence of the Lambs, shares why Badlands has one of cinema’s best car chases, and celebrates an Australian favorite, Breaker Morant.