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This and That

Jul 22, 2009 Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...

Apr 27, 2009 Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.

Mar 24, 2009 With a sense of urgency, and a touch of morbidity, Yahoo! Movies has put out a list of “100 Movies to See Before You Die.” “To choose the titles for the list,” write Yahoo!’s editors, “we considered factors like historical...

Bottle Rocket

Essays

Nov 23, 2008 Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his char­acters in particular and for people in general.

WWRWFD?

Production Notes

Jun 19, 2007 One of the blessings (and curses) of working at Criterion is that every film we put out inspires a passionate response from someone, somewhere. Knowing how deeply people feel about a movie as I’m producing the DVD leads to some...

Feb 12, 2007 In this classical whodunit made just after the close of World War II, swirling sexual frustrations and resentments find expression in a series of apparently motiveless murders.

Jan 16, 2007 The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.

Jul 25, 2005 Seijun Suzuki’s drama sees sexuality as a potent anarchic force that, in its implacable selfishness, brushes aside any sort of order or discipline.

May 9, 2005 Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.

French Cancan

Essays

Aug 2, 2004 This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.

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