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The Chechahcos

Jul 27, 2017 — For the Ragtag Cinema in Columbia, Missouri, filmmaker David Lowery selects Ugetsu as a work that influenced his acclaimed new drama A Ghost Story.

Jul 25, 2017 — Joshua Z Weinstein has directed the feature documentaries Drivers Wanted and Flying on One Engine. His recent credits as director of photography include Elaine Stritch: Shoot Me, Code of the West, and the forthcoming Bikini Moon. Weinstein has been nominated...

Jul 20, 2017 — Director Ken Loach and his longtime screenwriting partner Paul Laverty, recipients of this year’s Crystal Globe award at the Karlovy Vary International Film Festival, speak about the complex relationship between politics and cinema.

Jul 19, 2017 — A showcase for the bighearted sensibility of the late Jonathan Demme, the tonally intricate comic thriller Something Wild plays in Athens, Georgia, today through Sunday.

Jul 18, 2017 — With a weeklong run of our new restoration of Desert Hearts opening at the IFC Center in New York, we spoke with director Donna Deitch about this landmark of LGBT filmmaking.

Jul 18, 2017 — During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.

Jul 13, 2017 — The newly opened Austin Film Society Cinema presents screenings of the Cannes award–winning animated film Fantastic Planet, a hallucinatory visual marvel designed by French artist Roland Topor.

Jul 7, 2017 — Canadian-born filmmaker Alison Maclean emigrated to New Zealand as a teenager and later attended Elam Art School in Auckland. After making Kitchen Sink (1989), still arguably the most successful short film to come out of New Zealand, and her debut...

Jul 6, 2017 — Our very first DVD edition, Jean Renoir’s masterpiece Grand Illusion, streams on the Criterion Channel in celebration of the film’s eightieth anniversary.

Jul 4, 2017 — The great character actress delivers a lusty, unbridled performance as a preacher’s daughter in this late-career gem from John Huston.

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