The Spacewalker

Oct 19, 2016 — Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.

Oct 17, 2016 — Terence Nance was born and raised in Dallas, Texas. His first feature film, An Oversimplification of Her Beauty, premiered in the New Frontier section of the 2012 Sundance Film Festival. The film garnered him recognition from Filmmaker magazine, which selected...

Oct 14, 2016 — The two actors discuss their involvement with Richard Linklater’s twelve-year film production, its parallels with their own lives, and the emotional journey of making the film.

Oct 13, 2016 — This morning, we were delighted to learn that Bob Dylan has been awarded the 2016 Nobel Prize in Literature for creating “new poetic expressions within the great American song tradition.”

Oct 6, 2016 — We’re excited to share the latest news about the launch of FilmStruck and the Criterion Channel.

Sep 30, 2016 — Amy Fine Collins is special correspondent to Vanity Fair, where for over twenty years she has written features about fashion, art, Hollywood, and society. An arbiter and owner of Vanity Fair’s international best-dressed list since 2003, she was inducted into...

Sep 23, 2016 — Young Jean Lee has written and directed ten shows in New York with Young Jean Lee’s Theater Company and toured her work in over thirty cities around the world. She is the recipient of a Guggenheim Fellowship, two Obie Awards,...

Sep 22, 2016 — In this 1979 French television interview, the Cat People director discusses Lewton’s creative idealism and the impact it had on his own pragmatic sensibility.

Sep 22, 2016 — As part of a two-month series highlighting Yasujiro Ozu’s late-career work, the Pacific Film Archive is showing Equinox Flower, a family drama about a conservative father and his rebellious daughter, who refuses to accept his plans for her arranged marriage.

Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.