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Jul 10, 2016 — The author, a filmmaker and film professor who cowrote a book on Abbas Kiarostami, remembers the late Iranian director.

Jul 7, 2016 — Repertory PicksThis week, as part of its annual series the Auteurs, the Center for Contemporary Arts in Santa Fe, New Mexico, is screening Ingmar Bergman’s 1949 film Thirst. Like many of the Swedish master’s early works, this rarely shown character...

Jul 6, 2016 — Yesterday, we released Arthur Hiller’s uproarious 1979 comedy classic The In-Laws. Starring Alan Arkin as a pragmatic dentist and Peter Falk as a wild mystery man, Hiller’s film showcases the tremendous comedic talents of its two incredible stars. As a...

Jul 5, 2016 — Arthur Hiller’s 1979 comedy pairs Alan Arkin and Peter Falk as unlikely comrades in a madcap farce that lands every laugh.

Jun 30, 2016 — In Olivier Assayas’s 2014 film Clouds of Sils Maria, Juliette Binoche and Kristen Stewart play out a story centered on the complexities of female relationships, the making and undoing of boundaries between people, and our anxieties about the passage of...

Jun 30, 2016 — The film is is a high-water mark in the careers of its director, actors, and cowriter. But for design nerds, the contributions of Pablo Ferro, who designed the film’s iconic opening credit sequence, are just as notable.

Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

Jun 29, 2016 — Olivier Assayas’s Clouds of Sils Maria brings together Juliette Binoche and Kristen Stewart to play out a psychologically complex relationship between two women. Binoche, once again teaming up with Assayas, after starring in his 2008 drama Summer Hours, is Maria...

Jun 28, 2016 — When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...

Jun 28, 2016 — This excerpt of a 1974 episode of the French television program Italiques offers a candid look at the eccentric artist behind René Laloux’s surreal, countercultural sci-fi classic.